The most dangerous game Essay

The most dangerous game The Most Dangerous Game People have always sought to escape their mundane realities through fantastic stories. Richard Connell “The most dangerous game” provides this type of reprieve from reality. Through hyperbolic, stock protagonist and antagonist, a simplistic conflict, and a happy end “The most dangerous game” presents Itself to be purely commercial fiction.

Commercial fiction is meant to excite the reader, to help them escape reality and “The Most Dangerous Game” has both mystery and suspense do to the nature of the continuous adventure throughout the story. This forces the reader to continuously read on to discover the next piece of the puzzle or the next twist that may occur. This could be shown through the two characters in their continuous ultimate battle against one another, this giving the example of man vs. man. The two characters include, the Protagonist, Saigon Rainstorm and the Antagonist, General Corona.

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Both characters present themselves to be stock characters, Rainstorm being recognized world-wide for his writing and considered to be known as the western “good guy”, whereas Corona is made out to be the “bad guy” recognizable Russian, with facial elements such as his thick eyebrows along with a pointed military mustache. Russians being strong enemies to the West, this begins to demonstrate elements of good vs. evil. Commercial fiction Is also expected to have a defined plot, majority of the time people refer to this specific plot as “page turner”. Rainstorm built a Malay man-catcher and a Burmese tiger pit to try and escape Corona.

After these traps have been set, the reader can’t help but wonder whether It Is going to serve its purpose and work In his favor. After finding out the exults of the traps, you can’t help but wonder what will happen next. Towards the end of the hunt, Rainstorm “leaped far out into the sea. ” As the reader reads this, they can’t help but wonder what Rainstorm was thinking and what was going to happen to him. They could see It as either a stupid or smart act, but It does cause them to think, proving this to be a defined plot. A final reason that “The Most Dangerous Game” is an example of commercial fiction is that it ends happily.

After the general states that the winner of the hunt will get the privilege to sleep in the bed, the story ends with its anal sentence being “he had never slept In a better bed, Rainstorm decided. ” This sentence tells us who won. Coincidentally, the winner was Rainstorm. The story ends exactly how commercial fiction is expected to end, happily ever after. The “good guy” wins and the “bad guy” is defeated. In conclusion, it is the elements of the protagonist, an exciting and defined plot, as well as a happy ending that make “The Most Dangerous Game” an example of commercial fiction.

Nearly all fiction has some elements of both escape and interpretive literature. However, most have more elements of one than the other, even if it is only a little bit more. The way it is classified depends who Is reading It. Everyone Is different, so they will all come up with different Ideas. BY data conflict, and a happy end “The most dangerous game” presents itself to be purely be known as the western “good guy’, whereas Corona is made out to be the “bad guy’ demonstrate elements of good vs. evil. Commercial fiction is also expected to have a whether it is going to serve its purpose and work in his favor.

After finding out the exults of the traps, you can’t help but wonder what will happen next. Towards the can’t help but wonder what Rainstorm was thinking and what was going to happen to him. They could see it as either a stupid or smart act, but it does cause them to think, final sentence being “he had never slept in a better bed, Rainstorm decided. ” This exactly how commercial fiction is expected to end, happily ever after. The “good guy’ wins and the “bad guy’ is defeated. In conclusion, it is the elements of the classified depends who is reading it. Everyone is different, so they will all come up with different ideas.

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